It seemed too slow to be techno, too broken to be hip-hop, too electronic and vocal-free for most to recognize it as soul music. Even when it was new, the debut album by Detroit’s Sherard Ingram (best known today as the electro-leaning DJ Stingray) and a handful of the Motor City’s finest- Anthony Shakir, Carl Craig, and Kenny Dixon Jr., aka Moodymann-was too unusual a proposition to find a wide audience. Nineteen years after its release, too few people know The Collapse of Modern Culture.